Another year and a year and a year and a eleven, when major electrician platforms are well marketed, and a quantitative and customized short-formula is a new view in this year’s two-hundred-one marketing war.
Most typically, the quick-hand short play combines with the launch of the 12 Days ” Be Good ” , the ” Lie the Moon ” , the ” Peaceful CBD ” , the ” Chief of the Bar ” , the ” Pilling for Crazy Women ” , and seven fine shorts, such as the ” Little Mad Women ” , to explore the way the brand is marketed and the value of dissemination is upgraded.
For example, the upcoming high-level concept of the ” Twelve Days ” not only increased the visibility of the Kyoto Two Eleven in an exclusive name, but also worked to link the brand with the user’s emotions with a live play, greatly subverting the user’s inherent impression of a customized short play and creating a new paradigm for the marketing of two-to-one items on the electric power platform.
It’s based on mythology.
The 12 Days are structured in the form of “new identity to solve new challenges” and describe the way in which Lu Xuan opened up the blind box in the explosion and incorporated into it a very realistic sample of marital difficulties such as mortgage pressure, child-rearing difficulties and incompatibilities from the perspective of others.
So what is the essence of marriage? In the Twelve Days, we saw the stages and the multidimensionality of marriage — marriage is the sweetness of the newlyweds and the calm life after their passions have faded; marriage is a hot meal and a cup of milk and tea between the spouses; marriage is an economic pressure under the costs of tuition, property, utilities, mortgages, etc.; marriage is also an early warning signal from the high-pressures on the stoves, and these very realistic elements are the exact pains of marriage for young urban couples, so that users can share the feelings of strong acceptance and resonance.
The way the marriage is restored, the 12 Days also provide a reference answer – starting with the problems of the marriage and finally self-awakening and growing up. It reminds us that the problems we encounter in marriage are not just passive, complaining or even fear, but rather to change and change; it reminds us that the quality of the marriage is good and the quality of the life is good, and it is hidden in the details.
The short play ” Twelve Days ” has successfully drawn attention to the viewing interests of the audience with a clear marital conflict, and has also given rise to deep thinking with a short cure sentence, both as a guide to the healing of marriage and as a journey to find and discover one ‘ s own mind, encouraging users to find the true meaning of self, love and life, both artistic and ideological.
It is worth mentioning that the short play ” Twelve Days ” was created on a platform, in solidarity with the stars, with actors such as Wang Shin, who played the Shanghai Women ‘ s Chart, ” Dear, Love ” , ” Perfect Partners ” , and with the quick hands represented by Lee, so that cross-border actors could break the substrate.
Being a good actor meets a good partner, a good script, and naturally brings in a good performance to motivate users. So far, the 12 Days have been well received by a number of users, either to praise the depth of the drama, to balance the sense of pleasure with the truth, to speak out in two episodes a day, or to admire the charisma of the hostess, Wang Shin, or to say a few words about Kyodong’s implants, which are very silky and moving. The short show ” Twelve Days ” , with both qualities and reputations, received considerable attention during the two eleven-year period, and was made by fast hands and representatives of the Kyoto series of customized short plays.
It’s a good deal.
Rebuild.”Short play X brandIt’s not like it’s the same thing.Marketing new samples
In recent years, brand-made dramas have evolved and are no longer part of traditional, rigid advertising, but rather have made brands an important part of the drama, seeking to weaken advertising, promote immersion and find a balance between content and business. This “Twelve Days” has also found its own methodology for branding.
With content at its core, there is a greater focus on drama and brand integration and binding.In the Twelve Days, the electric high-voltage pan, microwave ovens, and kyotung ‘ s mini-powers, such as pots, appear in a clever way in the drama and contribute to its development and value-added. In terms of recreation, the use of branded small household electricity in the play reflects, to a certain extent, contemporary marital relationships, such as the power pressure pot, which represents a sense of security in marital life, the microwave, which represents the temperature in marital life, and the brand-new canteens and larvae, which inspires new ways for users to counter the use of Zammy’s oil salt in marriage life, and to make it logical for the emergence of “news in exchange and 100” marketing activities to effectively reach the target consumers and to make the brands more hot and efficient.
Emotion-driven, the values transmitted by the episode are more human.In the short-time ” Twelve Days ” , each time after a transformation, Lu Jin-jin gives emotional narratives about a small household electricity, and produces emotional gold sentences that contain human temperature. For example, in the third concentration, Lou-jin-Taiang and the chef-in-chief spoke about the safety of electric pressure pots, giving her new insight into the problems of her marriage.
This is the beginning of a real-life, marriage-rethinking and subsequent transformations of the female lead, in which she continues to see herself and marriage, so that the audience can resonate and grow in the same way, so that they can learn about, care about, and participate in the electricity-related activities of the Kyodong family, and so that they can improve the quality of life and optimize marriage and even family relations.
Full-chain marketing makes conversion more efficient.The short play “Twelve Days” successfully activates the user’s interest in and desire to buy electricity from Kyoto’s small home, while transforming components such as “seeing and growing grass”, “seeing and searching” and “watching and transformation” inside the quick-hand station to make the set a “shelter” for the presentation of the product, while making it possible for users to understand the product, to reach the electric power company’s platform and to form a “see-see-gather-search-purchase” marketing chain.
With high-quality content as a vehicle for effective integration into brand concepts, The Twelve Days not only succeeded in taking over the new two-xity marketing nodes in a deliberate manner, but also served as a new entry point for the two elevens of Kyodong, which guaranteed the effectiveness of the transformation of the drama into a consumer.
Continuous innovation content, marketing methods
Fast-hand shorts commercial lead.
This year, a new way for a wide range of netizens to learn and participate in the 21st Century is to watch a series of famous short dramas while immersing in the idea of acquiring Kyoto’s brand and promotion. In terms of recreation, seven short plays, represented by ” Twelve Days ” , are not only an illustration of the marketing power of fast-hand short play brands, but are also another at content innovation, commercial exploration, etc.
In terms of content, the series of short dramas represented by the Twelve Days, which spans family, marriage, the workplace, wonders, and so forth, has many different features, such as the design of new and interesting people, the direction of their content, and the values of reflection, all of which are fascinating. This not only highlights the platform power of fast-tracking the brand-made short play matrix, but also means that the brand-made short play is a departure from the hard-planted savagery of a long time, focusing on creating emotional links by creating content of interest to users and opening a new chapter in a scalding and matrixing posture.
In terms of dissemination effects, fast-tracking of information on promotions such as Kyodong’s small electricity, Kyoto’s health and Kyoto’s multibillion-dollar subsidies into compatible dramas, which are updated in turn during two dozen major periods, continues to create topics and heat around the dramas, reaching the target consumer groups in different circles with wide and accurate user coverage, allowing the brand to be marketed in more warm and efficient exposures.
This has been achieved through the effective dissemination of brand information in immersed content with a variety of subject matter, as well as the advantages of a platform for the integration of the whole chain, which has enabled fast-trackers to use the short play matrix as an innovative tool to optimize branding, with precision reaching nearly 60 per cent of the core consumer population over 30 years of age and maximizing marketing performance.
The target and industry, with the branding of short play carriers, is becoming more and more regular, and a growing number of platforms are taking part in this new track to explore the export of precision and specialization among exhibitors. Horizontally, from content customization, integrated marketing to sales transformation, fast-hand shorts lead the business at the brand marketing level, with more possibilities for future commercialization.
